Exhibitions Milan 2025: David Golzio exhibits in the city with Artcrush
- David Golzio
- Dec 8, 2025
- 3 min read
Updated: Jan 15
Two works of hybrid metaphotography displayed on the city's giant screens: an event that combines art, technology, and introspection.
Milan, the heart of art and my inner home
Milan is not just the place where I live: it is my home, my origin, my lens on the world. Every corner of it gives me back fragments of who I am—the light that shines through the buildings at sunset, the shop windows that reflect faces and desires, the incessant rhythm of the city that never sleeps.
Exhibiting here, among the exhibitions of Milan, in the heart of the city that shaped and welcomed me, is much more than an achievement: it is a homecoming. It is as if my art could finally merge with its landscape, its exhibitions, breathe with its people, and find in its movement the same energy that has always driven me to create.
Artcrush transforms Milan's exhibitions into an urban and digital experience
From December 8 to 21, 2025, I will have the honor of collaborating with Artcrush, a project that transforms Milan into a large, widespread gallery. Throughout the month, large screens distributed throughout various areas of the city will project the works of contemporary artists, creating an unprecedented dialogue between art, urban space, and passersby.
This initiative represents a new way of experiencing art: no longer confined to a museum or fair, but free to enter into people's daily lives. Art becomes part of the urban landscape, a living presence that accompanies the city in its movements, its breaths, its thoughts.
Exhibitions in Milan: “Redenzione” and “NO MORE EVIL” by David Golzio, two visions of interiority
For this edition of Artcrush, two of my works that I am deeply attached to have been selected: Redenzione (Redemption) and NO MORE EVIL.
Redenzione is an inner journey, a rebirth. It stems from the desire to find light again after passing through darkness, to reconcile with oneself and one's past. Through hybrid metaphotography, in which real photographic elements merge with forms generated by artificial intelligence, the work represents the act of rising from one's depths, accepting fragility as part of beauty. It is an invitation to look within, to understand that true strength lies not in erasing pain, but in transforming it.
NO MORE EVIL, on the other hand, is a statement. A silent cry against what corrupts the essence of being human—fear, violence, lies, destruction. The work is born from the union of photography and digital imagination, creating a vision in which evil dissolves, leaving room for the possibility of rebirth in a more authentic and luminous form. Exhibiting it in Milan, after having already presented it in international contexts, is a moment of reconciliation for me: bringing the message back to the place that taught me to observe, understand, and represent the world.
Hybrid metaphotography: where reality and digital meet
Both works embody my research into hybrid metaphotography, a language born from the union between the visible and the imagined. Through the fusion of photography and artificial intelligence, I explore the boundary between reality and perception, creating images that exist in a suspended dimension: an emotional territory where the real becomes symbolic and the invisible takes shape.
Exhibiting these works in Milan means opening a dialogue with the city itself. Each screen becomes a window onto the inner self, each passerby an unwitting observer who, even if only for a moment, comes into contact with a fragment of introspection and light.
Milan as a living gallery: a dialogue between art and soul
Milan has always been a city of contrasts for me: lucid and frenetic, but also intimate and profound. In its constant movement, I recognize the same tension that drives my artistic research—that desire for balance between strength and fragility, light and darkness, presence and absence.
Seeing Redenzione and NO MORE EVIL live in Milan's public space means, ultimately, laying bare a part of myself in front of my city. It is an act of artistic and personal sincerity, a form of restitution to the place that has inspired so many of my works and thoughts.
Artcrush 2025: David Golzio's digital art lights up Milan
I would like to thank the Artcrush team for making this unique experience possible, and for their commitment to taking art beyond conventional boundaries. Milan, my city, will be transformed into a large collective canvas — and I couldn't be happier to be part of it.
December 2025 will not only be a month of exhibition, but a time of connection, an encounter between my art and my city, between vision and reality.
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